Tuesday, 29 November 2011

Homes Under the Hammer Analysis


Homes Under the Hammer:

Main Plot:
Hosts introduce the houses that are up for auction
Locations of houses
Walk-through of Houses
Estate Agents walk-through then give there own estimate
Auction House Bidding
Talk with Buyer
Visit few months later seeing the difference
Estate agents in again to give new estimate
Buyer decides weather or not to sell or keep the house

Homes under the Hammer is one of the most successful show that is, shown on the BBC its normal run time is from 10.00- 10.30 (11.00 depending on how many homes are, shown).

The show lasts 30 minuets to and hour depending on how many homes are, shown in the program, the program follows the guidelines above throughout all the episodes. The presenters choose which houses that are on the show by looking at the houses listed in the auction list for a nearby auction. During the show the houses are, refurbished and possibly sold on to others for more, then triple the original amount that they were bought for from auction, in the episode that I will be analyzing there is a house in Cardiff which has a massive amount of damp that is on the walls and ceilings, the roof above the kitchen a huge hole the house is on the market for £150,000. The second building is a large house which has been, turned into offices, needed is a renovation license to change it from an office building into a home the presenters think that the house can become five flats which will increase the amount of money the buyer will gain but the home was on the market for £350,000. Also a flat, which has been almost ripped apart from the walls because of excessive damp it, was on the market for £30,000.

The main focus for the buyer is to buy a building at auction cheaply then fix the house up by changing the flooring and the walls by changing anything from cracked floorboards to damp seeping through the walls, the hosts walk through the houses before they are, bought and they point out to the camera what they think needs to, be improved then they talk with the buyer and ask how they will improve the house themselves, then they come back to the house when the work is all finished bringing estate agents to see how much the estate agents recommend for the house to, be sold for. 

Camerawork:
The camerawork for homes under the hammer is simple the camera tracks the presenters along with doing pans across room in the houses then need they show different types of fades to show the changes made to the different rooms.  The many different angels and types of shots that are used in the shows are there to stop the audience from ben bored when they change to a different view. The fades that are used in both rooms are changed for each room in the episode I watched of Homes under the Hammer I saw about 5 different fades where were spirals, boxes, spins and normal fades. The shots when the fade is applied is the same view just the surroundings change then the camera moves around the room to show how the whole room has changed.



Music:
The Music that is, used is to mainly amplify the voices of the presenters I have found that when I am listening to some music playing n the background I can hear someone talking in the foreground louder than normal because the background music is amplifying the foreground sound. The genres of music are quite different they can vary from acoustic rock to pop.

Language:
The language in Homes under the Hammer is formal because of the genre of the show it is a factual program using informal language would attract a different target audience, the target audience for Homes under the Hammer I would say are people from the ages 38-52 the reason I think this is because of the fact that they are the most likely to buy a home at an auction because it is cheep if they used an informal language then they would be targeting a younger audience who would have no need for the show.

Include audience:
The audience is included in the show because the presenters are giving out tips fro the audience during the film with what they would do if they were meant to fix up the house trying to give the most effective way instead of the cheapest also at the end of the show the presenters are talking at the camera as if they are talking to the audience.

Editing:
The editing for Homes under the Hammer is used to show how the houses have changed from when they were still on the market by showing different fades to the outside of the house the inside back yard showing the damp covered wall as it fades into the new house with the problems from the start of the program fixed ready for the new estimate from the estate agents.

Conventions of a T.V. show:
The conventions of when the presenters are talking to the buyers as in a normal T.V. show the camera switches between them back and forth every time they start and stop talking this also includes over the shoulder shots and two shots. Another convention is that they both talk to the camera at the audience they both give a voice over to the houses which is normal for a T.V. show like this it’s the same with Cash in the Attic and Location Location Location.  The other conventions are the title sequence giving a short view about what the show is about by showing money and houses showing that this show involves houses and making money also is the end sequence it shows the same shots from the program of the rooms with the fade to the rooms when they are finished along with that there are extra close ups to parts of the room which held a significance during the episode.

Thursday, 14 July 2011

Analysis of live TV coverage (Glastonbury 2011)

Glastonbury 2011 Analysis of the live coverage. The festival is where a majority of different bands and artists go to preform for a large audience the audience keeps growing over time because more and more people are getting into the different types of music that is played at Glastonbury for the analysis i will be looking at three bands that performed in the 2011 festival: Mumford and Sons, U2 and Elbow. U2 and Elbow preformed on the Primed stage which is the main stage at the festival and Mumford and Sons preformed on other stage which says the Glastonbury website. i will start by talking about the camerawork during Mumford and Sons. The camerawork for Mumford and Sons keeps cutting along to each member of the band, as the music tempo starts to speed up when the song reached the loudest part of the the song the camera cuts to swooping shots of the crowd then, when the tempo starts to go down the band are playing in the background with the crowd in the foreground. The next part i will talk about for Mumford and Sons is the editing used during the event because the coverage is all live they need over 1,000 different cameras to switch back and forth to give the viewing audience a better view of the festival with swooping shots for the crowd and the close ups for the band on stage. The next band i will be analysing is Elbow starting with the camerawork. The camerawork is more fixed to the stage getting close ups of the instruments and the band members throughout the performance there would always be a small cut to the audience which shows a larger crowd at the Primed stage than the other stage Mumford and Son's were preforming on. The last band i will be analysing is U2 i will be talking about the camerawork during the performance, the cameras are cutting between Bono and the crowd showing a far back swoop from back of the crowd moving into the stage when the camera cuts to the band playing the instruments then there is a cut to the back of the stage showing the band and the massive crowd in the background

The sound that you can hear during the concert is the muffled shouts of the crowd and the amplified sounds from the band's instruments and microphones. The amplified sound is used so that the people far back in the crowd can enjoy the bands performance. The Regulatory bodies involved in the festival are the BBC Editorial Guidelines copyright PRS.

The editing for the live festival is done by a single person who switches between cameras trying to make the audience at home gain a similar feeling to the people in the crowd who are watching the band perform live. There are over 1,000 cameras on each stage which switch between one another to get a different view from the crowd during the live show. The different shot types that are used in the live show vary from close-up,medium, long-range, wide and establishing shots.

The presenters at Glastonbury announced the bands that were performing on the stages, also when they were interviewing a band you could hear another band playing in the background with the crowd cheering. The section of the broadcast I watched showed the presenters interviewing U2 and in the background I could hear a different band playing while the crowd around the stage were cheering the noise was muffled so that it wouldn't interfere with the interview.

The sound from the amplifiers cancels out the sound of the crowds cheering and chanting. If the amplifiers weren't used then there would be no audio from the band because the crowd would drown out the sound with there cheering and chanting. The voice of the artist's need to be amplified for the audience in order to get the benefit of the performance, the instruments were plugged into amplifiers so that the music and the voice can be heard throughout the crowd and over the noise of the crowd.


The scenery behind the band indicates the genre of the group playing and is changed before and after a band comes on stage. The stage layout for Mumford and Son's is cleverly done by showing links to their album cover. The album cover shown is ' Love Your Grown' album and images of this cover are used as a background on the stage. With Elbow, the set is clear of everything but the newest album cover (Build a Rocket Boy's) is shown on the background so the crowd can hear what songs are on the album so they can choose whether to buy the album.

Thursday, 7 July 2011

History of Glastonbury

1970 (19th September): The first Festival was held the day after Jimi Hendrix died, over a two day period and before long "word had got around". It was the Blues festival at the Bath & West Show-ground that had inspired Michael Eavis to begin a festival of his own although on a smaller scale. It had an attendance of 1,500 people and costed £1 for a ticket and free milk from the farm.

1971 (20th-24th June): The festival moved to the time of the summer solstice and was known as the "Glastonbury Fair". It had been planned by Andrew Kerr and Arabella Churchill who felt all other festivals at the same time were over commercialised. It was paid for by the few who supported the ideal so the entrance was free and took a medieval tradition of music, dance, poetry, theatre, lights and spontaneous entertainment. it was in this year that the first "pyramid" stage was constructed out of scaffolding and expanded metal covered with plastic sheeting, built on a site above the Glastonbury-Stonehenge lay line. The musicians who preformed recorded a now very rare album. The Festival is also captured "a la Woodstock" by a 1972 film crew that included Nick Roeg and David Puttnam. This film was called "Glastonbury-Fayer". the acts included Hawkwind, Traffic, Melanie, David Bowie, Joan Baez, Fairport Convention and Quintessence. the Attendance was estimated at 12,000 the tickets were free.

1981 (19th-21st June): The name was changed to Glastonbury Festival and Michael Eavis took the helm running the event again. This was the first "Campaign for Nuclear Disarmament" festival. Michael helped positively towards the peace movement by holding the festival. Michael helped positively towards the peace movement by holding the Festival at Worthy farm to benefit the Mid Somerset CND campaign. Michael had to convince National CND and said that with proper management the Festival could be turned into a profitable venture. Agreement was reached with national CND sending out information in the mailings, handing advanced ticket sales and allowing the use of the CND logo. It was up to michael to provide the money, arrange entertainment and organise the event, liaise with the authorities and organise market stalls ect. It was the year that it was decided to build a new pyramid stage however, this time it was a permanent structure, doubling as a cowshed and animal food store during the winter months. It took two months to build the permanent pyramid stage out of telegraph poles and ex-MOD metal sheeting. The CND logo was not present at these festival, as it was to heavy to lift into position at the apex. Michael Eavis eventually handed over approximately £20,000 to a very grateful CND. The acts that played were; New Order, Hawkwind, Taj Mahal, Aswad, Gordon Giltrap. The attendance was at 18,000 and the ticked costed £8.

1990 (22nd-24th June): The festival took the name of the Glastonbury Festival for Contemporary Performing Arts for the first time, to reflect the diversity of attractions within the Festival.  It was the twentieth anniversary of the first Festival but unfortunately ended with a confrontation between the security teams and travellers who were looting the emptying festival site.  This resulted in 235 arrests and £50,000 worth of damage to property and hired plant. Acts that preformed included The Cure, Happy Mondays, Sinead O’Connor and World Party, and the attendance was 70,000 while the Tickets costed £38 and the Programmes costed  £3.

1991 (25th-27th June): The sun finally shone on Glastonbury again, bringing a broad smile to the faces and performs alike. £150,000 was still spent on downpour precautions. The widest range of entertainment ever was on offer, with over 300 bands a kaleidoscope of theatre, comedy and cultural adventures, and more than 250 food stalls -  all published on a buzzing Glastro web site and broadcasted on BBC2. Greenpeace, Water Aid and Oxfam again Benefited. This year's event was sadly overshadowed by death of organiser Michael Eavis's wife Jean. A winged wicker sculpture was ceremony burned in her honour, whilst fireworks erupted into a moonlit sky. a few of the acts were; REM, Manic St Preachers, Fatboy Slim, Hole, Blondie, Al Green, Skunk Anansie, Lonnie Donegan, Marianne Faithful and Courtney Pine. The Attendance was 100,500 and the tickets costed £83 including a programme.

1994 (24th-26ht June): On 13 June 1994 the famous Pyramid stage burnt down in the early hours of the morning but luckily a replacement was provided by the local company who also provided stages for the NME and jazz stages. It was also the first appearance of the wind turbine beside the main stage providing 150 kw of power for the main stage area. Channel 4 televised the event live over the weekend an it increased the appeal of the festival to a wider audience. On the Saturday night there was a shooting incidence involving five people but no one was badly hurt. But there was the first death in the festivals history when a young man was found dead from a drug overdose. £150,000 was donated to Greenpeace, £50,000 to Oxfam and some £100,00 to local charities and good causes. The acts included; Bjork, Manic St Preachers, Orbital, Van Morrison, Lemonheads, Elvis Costello, Galliano and the Levellers. The attendance was 80,000 and the ticket price was £59 and £5 for the programme.

Tuesday, 3 May 2011

BBFC CERTIFICATION

Seeing that the thriller we have filmed gives the audience the idea of a drug drop taking place in a park where not to many people are walking past we are thinking about giving the video a classification of 15 because the video shows not much language but the playback could give the wrong idea to younger viewers.

Jobs in TV and Film

1. Camera Operator: A camera operator is a person that operates a film or video camera for the purpose of recording a production to film or video.


2. Focus Puller: A focus puller, or 1st assistant cameraperson, is a member of a film crew’s camera department whose primary responsibility is to maintain image sharpness on whatever subject or action is being filmed


3. Lighting Director: The setup, packup, crewing and overall production of an entertainment lighting installation. They usually have little or no creative involvement in the production.


4. Director of Photography: A Director of Photography is someone who supervises the filming of movies, commercials, television series, or any other sort of filmed production.


5. Caption Generator Operator: 


6: Animator: An animator is an artist who creates multiple images that give an illusion of movement called animation when displayed in rapid sequence; the images are called frames and key frames.


7. Stunt Person: A stunt performer, stuntman, or daredevil is someone who performs dangerous stunts, often as a career


8. Art Director: Various artists may create or develop specific parts of an art piece or scene; but a sole art director unifies the vision. In particular, the art director is in charge of the overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements used, what artisticstyle to use, and when to use motion.


9.Vision Mixer: A vision mixer is a device used to select between several different video sources and in some cases composite video sources together and add special effects. This is similar to what a mixing console does for audio.


10. Sound Recordist: On a television drama production or feature film Sound Recordists are usually referred to as Sound Mixers, although their main duties of producing high quality sound recordings.


11. Researcher: A programme researcher provides support to the producer and production team. Researchers contribute ideas for programmes, source contacts


12. Continuity Assistant:  The Continuity Assistant in broadcasting is responsible for ensuring that all commercials and programming sold by the sales and programming departments are scheduled to air in accordance to company policies and FCC guidelines.


13. Special effects make up artist: Makeup artists are experts at giving people a desired look through the use of makeup, wigs, and other tools of the trade.


14. Composer: Composer is a person who creates music, either by musical notation or oral tradition, for interpretationand performance, or through direct manipulation of sonic material through electronic media.


15. Location Manager: He Location Manager is responsible for the finding and securing locations to be used and coordinating the logistics involved for the production to successfully complete its necessary work.


16. Foley Editor: Create natural background sounds to be synchronized with recorded dialogue for a television production


17. ADR Dialogue editor: Dialogue Editors start work on a film well into the picture editing process, when they attend a spotting session with the other Sound Editors during which all sound issues are discussed and noted.


18. Screenwriter: Screenwriters or scenarists or scriptwriters are people who write/create the short or feature-length screenplays from which films and television programs are based.


19. Construction Manager: Construction Project Management is the overall planning, co-ordination and control of a project from inception to completion aimed at meeting a client’s requirements in order to produce a functionally and financially viable project that will be completed on time within authorized cost and to the required quality standards.


20. Casting Director: A casting director is responsible for helping to gather a number of actor candidates for a given role in a film or television production.


21. Health and Safety Consultant: The main aim of the role will be to ensure companies adhere to health and safety policies and law.


22. Steadicam Operator: Camera operators film motion pictures, videos, television shows, and commercials. They are needed for documentary, industrial, educational, and feature productions.

23. Grip: Grips work closely with the camera department to provide camera support, especially if the camera is mounted to a dolly, crane, or in an unusual position, such as the top of a ladder.


24. Art Director: Art directors are responsible for what advertisements look like. They are involved in creating a campaign that has an instant, positive impact on the consumer in order to promote the product or brand being advertised.


25. Gaffer: The head of the electrical department, responsible for the design and execution of the lighting plan for a production. 

Animatic

Friday, 11 March 2011

Minuets 3


Minuets No.3: 11TH MARCH 2011

Our second idea is tweaked a bit

instead of the first man waking off a train we will use the bench on the train and make it look as though he has just got off the train waiting for a phone call then the second man sends the call then they choose a place for the drop as they walk there a split screen showing them walking to the drop point then after a minuet they switch briefcases and walk off in opposite directions slow motion and fade to black.